Date: Fri, 2 May 2003 16:50:22 -0700
From: solipsis <solipsis@HEVANET.COM>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: nihon notes:

nihon notes:

NNNNNNNNNnnnnnnnnnNNNNNNNNNnnnnnnnnnNNNNNNNNNNnnnnnnnnnnNNNNNNNNNNnnnnnnnnnnNNNNNNNNN
NnnnnnnnnNNNNNNNN
nnnnnnnnnnnnnnnnnnnNNNNNNNNNNNNnnnnnnnNNNNNNNNNNNNnnnnnnnnnnnnnnnnnnnnnnNNNNNNNNNNNNn
nnnnnnnnnnnNNNNnnnnnnnn
NNNNNNNNNNNNNNNNNNNNnnnnnnnnnnnnnnnnnnnnnnNNNNNNNNNNNNNNNNNNNNnnnnnnnnnnnnnnnnnnnNNNN
NNNNNNNNnnnnnnnnNN

It started as a religious ritual at horse stables, during which a monkey danced to
heal ill horses...

for then this pod whose nothingness nourishes was bodhidharma-->             fig.6
The Structure of Power and its Transformation in Utsubozaro
thenthat[ example. effigy spoon
thenthat[ example. effigy vessel
thenthat[ example. kotan-kor-kamuy

[the writing of anomalous symbols] thatching the air of air>>>>>> rolling timbres..
longago.. when Tanuki sailed with Rabbit in his Itaomachip..

THE SONG OF NEZAHUALPILLI DURING THE WAR WITH HUEXOTZINCO:
http://www.hevanet.com/solipsis/japan/page_01.htm

i am intoxicated,
intoxicated is my heart:
day is dawning,
already the zacuan bird is singing
above the inclosure of shields,
above the inclosure of darts.

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Tokyo Nagaremono//the anomalous symbol: jackdaw {Koroshi No Akurin}XXXXXXXXX\\
                                //the anomalous symbol: wastingface {Koroshi No
Akurin}XXXXXXXX\\
                            //the anomalous symbol: thiswill knot RUIN the hide
{Koroshi No Akurin}XX\\
                        //the anomalous symbol: dirigible on on subjectmonkey
{Koroshi No Akurin}XX\\
                    //the anomalous symbol: face contracts in the symbol of a flower
{Koroshi No Akurin}
                //the anomalous symbol: distorted face makes a flower {Koroshi No
Akurin}XXXXXX\\
            //the anomalous symbol: plaintive flute runs up the kimono {Koroshi No
Akurin}XXXXXX\\
        //the anomalous symbol: plaited smoke, then paper {Koroshi No
Akurin}XXXXXXXXXXXX\\

for something which lept from beneath the monkey courtier's fine black silk hat:

example: KINGFISH/FISHEROWL // [T=kamuy] Yaju no Seishun

a tworn and tweathered lump,       http://home.att.net/~fukuoka/fukuoka/nikkatsu.jpg
a twisted and treduced form, smooth,
http://village.infoweb.ne.jp/~fwhj5337/Sy-list/jpeg/nikkatsu.jpg
a featureless orb whose trotation,
http://www.ucalgary.ca/~tstronds/nostalghia.com/ThePosters/covers/LD/japan_ivan_front
.jpg
a triver stone painted by child's hands,
http://oohara.mt.tama.hosei.ac.jp/museum/page04.html
the clasping and unclasping of unhuman hands,
http://www.mobilixnet.dk/~mob75584/kill.gif
the trolling and shallow breathing of gods,
http://member.nifty.ne.jp/toyfes/7th/dealer/page/img/7163.jpg

Eniwa A ash: 14,000 BP [jizo turns into juka and back again, oscillating rhythmically
and changing color]

                                                                      a turning leaf,
fig3. The Monkey and the Trainer as Mediators and Marginals
                                                   wherefore an                  iron
daruma                    fig4. A Monolithic Universe
                                                    was wrought
whose inner
                                                        cavity was
covered in
                                                        the fine
and
         Shempu Den                    egg-shell                             thin
Kenka Ereji
                                                             steel
and                                  Kenka Ereji
                                                                of
mirrored
                                                      chrome
a lining
                                                     which
reflected a
                                                 flaming
corpse
                                                whose
name was
                                                Mirror
pure ghost
                                       of transcendental         image     purpose of
reflection

Their shattered kotan hung near the fisheries of memory, where syphilis, smallpox,
measles made their uimam
and joined in the iyomante..

King Noshikosa of Shamokotan would not see the 3 grotesque dreams of Tokyo, Oregon,
and Kusatsu:

K: The Hag who seared her prehensile clitoris on the folding metal griddle-altar
become a portable "burden-amulet"..
T: The Television show where skateboarding teenagers dressed as sushi jumped and
cavorted in a fanciful skatepark
where parody "unkotraps" were made from icecream the color of coffee and milk
sprinkled with peanuts, swirled stylistically
into turd-like forms on the floor; contestants would literally "hit the shit" and
wreck in their brink pink and orange flesh colored costumes.
O: A dream of a succubus-like yurei of beautiful Oyuki who turns into the monstrous
bald and disfigured Oiwa.

Three Monstrous Dreams= 3   Whenever there was a decision to leave, he would su????

then reserve account: Gozen sanji no gangu (Toys at 3A.M.)

Bikky Sunazawa's _Aoi sakyu nite_ (In the Blue Sand Dune)

3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
3+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-33+[INAW(3)INAW]-3
=3INAW

In Ueno Park, near the Statue of the Samurai w/ Dog, individual human cell-kotans,
we say Homeless in America, and the term is EX. negative. [What is a special Status
Person?]

[See the Section entitled "Special Status People as Nonresidents", Pg.84 in
Emiko Ohnuki-Tierney's _The Monkey as Mirror: Symbolic Transformations in
Japanese History and Ritual_]

EX: In addition to the shokunin and kawaramono, a number of other categories
of people loosely included in the special status group, made up the non-resident
population. These included mooto (outsiders), kojiki (beggars), hijiri (saints),
and the hinin. A brief account of the hinin during this period succinctly illustrates
the nature of the special status people at the time - marginal without being
negative in valuation. A group of people called the hinin first appeared during
the early phase of the Heian period (794-1185) and became more visible in
cities only after the mid-Heian period. Although the literal meaning of hinin is
"non-human," during the Midieval period the term referred to those individuals
whovoluntarily abandoned their society. The hinin included a small number of
criminals who were expelled by the society and plain beggars who begged
purely for economic rather than religious reasons. But many hinin were hijiri
(saints) who, primarily fro religious reasons, decided to leave society (shukke)
and to reject the demands and responsibilities of their secular life as citizens,
such as paying taxes. As outsiders of the system, the hijiri stood for an anti-
establishment element in that their abandonment of society symbolically repre-
sented a critical stance against the institutionalized religions that were
increasingly
identified with political power.
x

XX
           \___                                    ___/
XXXX
              O                                        O
XXXXXX

XXXXXXXX

XXXXXXXXXX
                                  | |
XXXXXXXXXXXX
|----------------------------------------------------------------|
XXXXXXXXXXXXXX

XXXXXXXXXXXXXXXX
Detective Bureau 2-3: Go To Hell, Bastards!
XXXXXXXXXXXXXXXXXX

MASSE TO WAS                (the end of the world
[aka Detective Bureau 2-3: Down With The Wicked]
BECHI NI WA ARAJI             is nothing but this:
Japanese title: Tantei Jimbusho 23: Kutabare Akuto Domo
KI NO SHITA NO                 Watching the Monkey.)
Director: Seijun Suzuki
XXXXXXXXXXXXXXXXXXX
Producer: Shozo Ashida
Screenplay: Iwao Yamazaki (based on a novel by Haruhiko Oyabu)
Cinematography: Shigeyoshi Mine
Music: Haruo Ibe
Production Co.: Nikkatsu
Print Source: Nikkatsu
Language: Japanese - subtitled
Gauge: 35mm
Date: 1963
Duration: 89 minutes

Dynamo of Cars:::::::::::::::{
http://miwako-f.hp.infoseek.co.jp/nikkatsu/akiradokuhon01.jpg

In some areas, flooded with pilgrims, a fever of charity broke out and raged as hot
as the fever of pilgrimage.
Some gave free food and a bath to those who sought shelter under their eaves. Others
opened up their homes
to offer free lodging. Finally there was a rush to rent houses and throw them open as
charity inns. Even those
tough-bitten characters the kago-bearers caught the spirit and gave free rides to
travel-worn children and old
people.


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