From: "Martin (biz.finder.net.au)" Subject: Undeliverable mail: Error accessing your w Date: Sun, 3 Nov 2002 09:14:16 +1030 Return-Path: <_arc.hive_-admin@lm.va.com.au> Delivered-To: martin@finder.net.au Received: (qmail 33856 invoked by uid 85); 2 Nov 2002 22:40:01 -0000 Received: from _arc.hive_-admin@lm.va.com.au by shiraz.va.com.au by uid 82 with qmail-scanner-1.14 (clamscan: 0.52. spamassassin: 2.20. Clear:. Processed in 0.191753 secs); 02 Nov 2002 22:40:01 -0000 Received: from unknown (HELO shiraz.va.com.au) (127.0.0.1) by localhost with SMTP; 2 Nov 2002 22:40:01 -0000 Received: (qmail 33680 invoked by uid 85); 2 Nov 2002 22:39:23 -0000 Received: from by shiraz.va.com.au by uid 82 with qmail-scanner-1.14 (clamscan: 0.52. spamassassin: 2.20. Clear:SA:0(2.3/8.0 tests=FOR_FREE,CLICK_BELOW,GAPPY_TEXT,ASCII_FORM_ENTRY,CLICK_HERE_LINK version=2.20):. Processed in 0.997675 secs); 02 Nov 2002 22:39:23 -0000 Received: from unknown (HELO libertysurf) (213.216.140.143) by mail.va.com.au with SMTP; 2 Nov 2002 22:39:22 -0000 Received: from hispavista.com (root@correo-bilbao-bbdd-1 [192.168.20.145]) by libertysurf (8.9.3/8.9.3/Debian 8.9.3-21) with ESMTP id XAA32267 for <_arc.hive_-admin@lm.va.com.au>; Sat, 2 Nov 2002 23:39:06 +0100 X-Authentication-Warning: libertysurf: Host root@correo-bilbao-bbdd-1 [192.168.20.145] claimed to be hispavista.com Subject: Undeliverable mail: [_arc.hive_] Error accessing your website From: MAILER-DAEMON@hispavista.com To: <_arc.hive_-admin@lm.va.com.au> Date: Sat, 02 Nov 2002 23:39:06 +0100 Message-ID: MIME-Version: 1.0 Content-Type: multipart/report; report-type=delivery-status; boundary="_===400796560====hispavista.com===_" X-Spam-Status: No, hits=0.6 required=8.0 tests=NO_REAL_NAME version=2.20 X-Spam-Level: Sender: _arc.hive_-owner@lm.va.com.au Errors-To: _arc.hive_-owner@lm.va.com.au X-BeenThere: _arc.hive_@lm.va.com.au X-Mailman-Version: 2.0.10 Precedence: bulk List-Unsubscribe: , List-Id: _arc[texture.eyes].hive_ <_arc.hive_.lm.va.com.au> List-Post: List-Help: List-Subscribe: , List-Archive: Failed to deliver to '<6digit@galeon.com>' LOCAL module(account 6digit@galeon.com) reports: account is full (quota exceeded) Reporting-MTA: dns; hispavista.com Original-Recipient: rfc822;<6digit@galeon.com> Final-Recipient: LOCAL; Action: failed Status: 5.0.0 Received: from [203.15.106.9] (HELO mail.va.com.au) by hispavista.com (CommuniGate Pro SMTP 3.4b7) with SMTP id 400796554 for 6digit@galeon.com; Sat, 02 Nov 2002 23:39:05 +0100 Received: (qmail 33611 invoked by uid 85); 2 Nov 2002 22:39:02 -0000 Received: from _arc.hive_-admin@lm.va.com.au by shiraz.va.com.au by uid 82 with qmail-scanner-1.14 (clamscan: 0.52. spamassassin: 2.20. Clear:. Processed in 0.182677 secs); 02 Nov 2002 22:39:02 -0000 Received: from unknown (HELO shiraz.va.com.au) (127.0.0.1) by localhost with SMTP; 2 Nov 2002 22:39:02 -0000 Received: (qmail 33575 invoked by uid 85); 2 Nov 2002 22:38:32 -0000 Received: from martin@finder.net.au by shiraz.va.com.au by uid 82 with qmail-scanner-1.14 (clamscan: 0.52. spamassassin: 2.20. Clear:SA:0(2.3/8.0 ):. Processed in 0.417129 secs); 02 Nov 2002 22:38:32 -0000 Received: from unknown (HELO smtp0.adl1.internode.on.net) (203.16.214.194) by mail.va.com.au with SMTP; 2 Nov 2002 22:38:32 -0000 Received: from [150.101.147.180] (ppp949.adelaide.on.net.au [150.101.147.180]) by smtp0.adl1.internode.on.net (8.12.4/8.12.4) with ESMTP id gA2McMp6018334 for <_arc.hive_@lm.va.com.au>; Sun, 3 Nov 2002 09:08:23 +1030 (CST) Mime-Version: 1.0 X-Sender: martin%finder.net.au@mail.va.com.au Message-Id: To: _arc.hive_@lm.va.com.au From: "Martin (biz.finder.net.au)" Content-Type: multipart/alternative; boundary="============_-1175845792==_ma============" X-Spam-Status: No, hits=2.3 required=8.0 tests=FOR_FREE,CLICK_BELOW,GAPPY_TEXT,ASCII_FORM_ENTRY,CLICK_HERE_LINK version=2.20 X-Spam-Level: ** Subject: [_arc.hive_] Error accessing your website Sender: _arc.hive_-admin@lm.va.com.au Errors-To: _arc.hive_-admin@lm.va.com.au X-BeenThere: _arc.hive_@lm.va.com.au X-Mailman-Version: 2.0.10 Precedence: bulk Reply-To: _arc.hive_@lm.va.com.au List-Unsubscribe: , List-Id: _arc[texture.eyes].hive_ <_arc.hive_.lm.va.com.au> List-Post: List-Help: List-Subscribe: , List-Archive: Date: Sun, 3 Nov 2002 09:08:21 +1030 From: pascale gustin Subject: "1 of 1 deletions" Date: Sun, 03 Nov 2002 21:11:08 +0100 L'_eN(g)Rage \ment politi][~isch][K et l' _art is T(od) ][ref lex][1/O.ns 10verses NOT es][ --------\B(L)ien-sUr 2 que/S\tions f.Ond(ent) ----------------------------------------A: -------------------------------][menta les_sel][l] a tenement) T nem T -tout d_abord--------1/O(f.ne 1 of 1 deletions 1 deletion done apply: Command attempted to use minibuffer while in minibuffer From: "dis.[UR]Locate" Date: Sun, 10 Nov 2002 12:57:34 +1100 Subject: [Up.]Dated Sun.day, November 8th, 2002 __________[Up.]Dated Sun.day, November 8th, 2002______________________ - re:placed the new.Nce re.C#.[Ever.crack[l]ing]ding! with a ripped [double] blind. - re:moved all references 2 L.[747]boeing yr way in2 the sense.less. - d.bugged [not happy]jan.re:cauling & yr passi[e]ve][+a.dam][.printLoad. wanderings - s.witched ab.sor[e]ption modes 2 "Sau[fi]ssureStunNRun" or "NeedANetWurkingSerialNumberQuickAnyHelpwillbeAppreciated" - stripped disLocate modules + toggle mode is now operational un.duh these sett[l]ings: 1. my mind is codeDark & S[en.s][t][ory]D[eprivation]blank. 2. i canKnot re:align. 3. u push my buttons + run[::end]. 4. i'll squ[ID]eal, i will! 5. u stink of code piss. 6. let me wind u down //[grindMode]. 7. s.wing_shifting my fluid way in2 yr organ_head. . . .... ..... pro][tean][.lapsing.txt . . www.cddc.vt.edu/host/netwurker/ http://www.hotkey.net.au/~netwurker/ http://www.hotkey.net.au/~netwurker/display.myopia.swf .... . .??? ....... Date: Fri, 8 Nov 2002 10:25:42 +0100 (CET) From: integer@www.god-emil.dk Subject: ------------=_1036748281-655-115 http://www.m9ndfukc.org/data/noisz/055.mp3 t!me = komplekx neuton thought t!me = dze bakground 4 ever!dz!ng elsz - eternal + unchang!ng - dze fabr!k upon u!ch ever! dz!ng elsz = ur!tn quantum teor!e = changed d!sz t!me = bakground !ndependent t!me = dze relaz!onsh!p betu!n flouz !n zpasz 1x quantum leap = t!melesz. 0+0 t!me ekz!ztz !n betu!n. zlkt bra!nz akount 4 d!sz real!t! az dze! touch http://www.m9ndfukc.org/data/noisz/r.op5.no2.mp3 http://www.m9ndfukc.org/data/noisz/no.koment.mp3 ------------=_1036748281-655-115 Content-Disposition: inline; filename="message.footer" From: "Jim Andrews" Date: Fri, 8 Nov 2002 16:55:00 -0800 Subject: keywords Frequency of keyword searches to vispo.com homepage as compiled by Extreme Tracker since May 99. 1403 19.35% poetry 654 9.02% visual 567 7.82% experimental 292 4.02% writing 274 3.77% concrete 246 3.39% design 199 2.74% essays 184 2.53% jim 179 2.46% typography 177 2.44% andrews 137 1.88% poems 133 1.83% age 127 1.75% art 120 1.65% pictures 109 1.50% new 94 1.29% of 92 1.26% vispo 92 1.26% media 81 1.11% canadian 78 1.07% on 73 1.00% forms 65 0.89% and 63 0.86% dada 58 0.80% futurism 56 0.77% animation 54 0.74% apollinaire 43 0.59% write 35 0.48% to 33 0.45% in 33 0.45% computer 33 0.45% experiment 33 0.45% the 32 0.44% form 31 0.42% designs 31 0.42% how 28 0.38% platapus 27 0.37% literature 24 0.33% about 24 0.33% poem 24 0.33% a 24 0.33% web 24 0.33% alphabet 23 0.31% im 21 0.28% book 21 0.28% langu 19 0.26% poetic 19 0.26% generated 18 0.24% software 18 0.24% personal 18 0.24% text 18 0.24% andrew 18 0.24% garde 18 0.24% avant 16 0.22% poetics 16 0.22% poet 15 0.20% programming 14 0.19% morph 14 0.19% langucom 14 0.19% pgq 14 0.19% books 13 0.17% artists 13 0.17% animated 12 0.16% what 12 0.16% is 12 0.16% graphics 12 0.16% canada 12 0.16% writings 12 0.16% avantgarde 11 0.15% interactive 11 0.15% lettrisme 11 0.15% an 11 0.15% real 11 0.15% music 11 0.15% by 10 0.13% for 10 0.13% up 10 0.13% penis 10 0.13% literary 9 0.12% cyber 9 0.12% vispocom 9 0.12% free 9 0.12% artist 8 0.11% language 8 0.11% poetryconcrete 8 0.11% cabalistic 8 0.11% hyper 8 0.11% pop 7 0.09% innovative 7 0.09% wwwvispocom 7 0.09% arts 7 0.09% java 7 0.09% wwwlangucom 7 0.09% isou 7 0.09% reading 7 0.09% i 6 0.08% life 6 0.08% 3d 6 0.08% features 6 0.08% anteater 6 0.08% webb 6 0.08% phyllis 6 0.08% visp 5 0.06% webartery 5 0.06% poets 5 0.06% com 5 0.06% innovation 5 0.06% or 4 0.05% jims 4 0.05% 12 4 0.05% image 4 0.05% dhtml 4 0.05% hand 4 0.05% peom 4 0.05% nio 4 0.05% bots 3 0.04% where 3 0.04% can 3 0.04% quotes 3 0.04% find 3 0.04% images 3 0.04% wwwvispo 3 0.04% wwwispocom 3 0.04% world 3 0.04% audio 3 0.04% shockwave 3 0.04% s 3 0.04% code 3 0.04% ngu 3 0.04% visuals 3 0.04% hyperreal 3 0.04% game 2 0.02% research 2 0.02% love 2 0.02% report 2 0.02% visualpoetry 2 0.02% picturesnet 2 0.02% de 2 0.02% human 2 0.02% list 2 0.02% home 2 0.02% pinocchio 2 0.02% relatedvispocomstats 2 0.02% 24 2 0.02% information 2 0.02% exhibit 2 0.02% site 2 0.02% fist 2 0.02% first 2 0.02% sites 2 0.02% university 2 0.02% net 2 0.02% vue Date: Fri, 8 Nov 2002 10:45:38 -0800 From: MWP Subject: Morpho-Acrostic 1 Morpho-Acrostic 1 750 data "we turn tide we ride wind we whip butt we change world we doubt vision we lose faith we fall hard we taste doom", "doom taste we hard fall we faith lose we vision doubt we world change we butt whip we wind ride we tide turn we", 70 wwvvvvuuuutttssssrrrrqqqppppoooonnnmmmmllllkkkkjjjiiiihhhhgggffffeeeedd eeeefffffffggggggghhhhhhhiiiiiiijjjjjjjkkkkkkklllllllmmmmmmmnnnnnnnoooo aaaaabbbbcccccdddddeeeefffffggggghhhhiiiiijjjjjkkkklllllmmmmmnnnnooo tttttssssssssssrrrrrrrrrrqqqqqqqqqqppppppppppoooooooooonnnnnnnnnnmmmmmm uutttssssrrrqqqppppooonnnmmmmlllkkkjjjjiiihhhggggfffeeeddddcccbbbaaaa rrrrrrrrrrrrrrrrrrssssssssssssssssssssssssssssssssssstttttttttttttttttt nnnmmmmmmlllllkkkkkjjjjjjiiiiihhhhhggggggfffffeeeeeedddddcccccbbbbbbaaa aaaabbbbcccddddeeeefffgggghhhhiiiijjjkkkkllllmmmnnnnoooopppqqqqrrrrss ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt iiiiiiiiihhhhhhhhhhhhhhhhhhgggggggggggggggggffffffffffffffffffeeeeeeeee dddddddddccccccccccccccccccbbbbbbbbbbbbbbbbbaaaaaaaaaaaaaaaaaa eeffffgggghhhhiiiijjjjkkkkllllmmmmnnnooooppppqqqqrrrrssssttttuuuuvvvvww aaaaaaaaaaaaaabbbbbbbbbbbbbbccccccccccccccddddddddddddddeeeeeee wwvvvuuutttsssrrrqqqpppooonnnmmmlllkkkkjjjiiihhhgggfffeeedddcccbbbaaa eeeeeeeeeeeeffffffffffffffffffffffffggggggggggggggggggggggghhhhhhhhhhhh aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr iiiiiiihhhhhhhhhhhhhhggggggggggggggffffffffffffffeeeeeeeeeeeeeedddddddd dddddddddccccccccccccccccccbbbbbbbbbbbbbbbbbaaaaaaaaaaaaaaaaaa eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeefffffffffffffffffffffffffffffffffff aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa wwwwvvvvvvuuuuuutttttttssssssrrrrrrqqqqqqqppppppooooooonnnnnnmmmmmmllll iiiiiiiiiiiijjjjjjjjjjjjjjjjjjjjjjjjkkkkkkkkkkkkkkkkkkkkkkkllllllllllll nnnmmmmmlllllkkkkkjjjjjiiiiihhhhhgggggfffffeeeeedddddcccccbbbbbaaaaa ddeeeeffffggghhhhiiiijjjkkkkllllmmmmnnnooooppppqqqrrrrsssstttuuuuvvvvww aaaaaaaaaaaaaabbbbbbbbbbbbbbccccccccccccccddddddddddddddeeeeeee wwvvvuuutttsssrrrqqqpppooonnnmmmlllkkkkjjjiiihhhgggfffeeedddcccbbbaaa eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeefffffffffffffffffffffffffffffffffff aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa wwwvvvvvuuuuutttttsssssrrrrrqqqqqpppppooooonnnnnmmmmmlllllkkkkkjjjjjiii hhhiiiiiijjjjjjkkkkkkllllllmmmmmmnnnnnooooooppppppqqqqqqrrrrrrssssssttt iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiihhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh pppoooonnnnmmmmmllllkkkkkjjjjiiiihhhhhggggffffeeeeeddddcccccbbbbaaaa aaaaaabbbbbbccccccddddddeeeeeefffffgggggghhhhhhiiiiiijjjjjjkkkkkklll bbbccccccdddddeeeeeffffffggggghhhhhhiiiiijjjjjkkkkkklllllmmmmmnnnnnnooo uuuuuuuuuuuuuuuuuutttttttttttttttttttttttttttttttttttssssssssssssssssss tttssssrrrrrqqqqqppppooooonnnnnmmmmlllllkkkkkjjjjiiiiihhhhhggggfffffeee ttssssrrrqqqqpppoooonnnmmmmlllkkkkjjjiiiihhhggggfffeeeedddccccbbbaaaa aaabbbcccdddeeefffggghhhiiijjjkkkklllmmmnnnooopppqqqrrrssstttuuuvvvww wwvvvvuuuuttttssssrrrrqqqqppppoooonnnmmmmllllkkkkjjjjiiiihhhhggggffffee eeeeeeeddddddddddddddccccccccccccccbbbbbbbbbbbbbbaaaaaaaaaaaaaa aaabbbccccdddeeefffggghhhhiiijjjkkklllmmmnnnnooopppqqqrrrsssstttuuuvv ccccccddddddddddddeeeeeeeeeeeefffffffffffgggggggggggghhhhhhhhhhhhiiiiii hhhhiiiiiijjjjjjkkkkkkkllllllmmmmmmmnnnnnnoooooopppppppqqqqqqrrrrrrssss aaaaabbbbbbbbbccccccccdddddddddeeeeeeeeefffffffffgggggggghhhhhhhhhiiiii nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnooooooooooooooooooooooooooooooooooo gggggghhhhhhhhhhiiiiiiiiiijjjjjjjjjjkkkkkkkkkkllllllllllmmmmmmmmmmnnnnn eeeeeeeddddddddddddddccccccccccccccbbbbbbbbbbbbbbaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaabbbbbbbbbbbbbbbbbccccccccccccccccccddddddddd wwwwwvvvvvvvvvuuuuuuuutttttttttsssssssssrrrrrrrrrqqqqqqqqpppppppppooooo ooooooppppppppppppqqqqqqqqqqqqrrrrrrrrrrrssssssssssssttttttttttttuuuuuu rrrqqqqppppooooonnnnmmmmmllllkkkkjjjjjiiiihhhhgggggffffeeeeeddddccccbbb lllllmmmmmmmmmnnnnnnnnooooooooopppppppppqqqqqqqqqrrrrrrrrsssssssssttttt dddddddddccccccccccccccccccbbbbbbbbbbbbbbbbbaaaaaaaaaaaaaaaaaa aaabbbcccdddeeefffggghhhiiijjjkkkklllmmmnnnooopppqqqrrrssstttuuuvvvww wwvvvvuuuuttttssssrrrrqqqqppppoooonnnmmmmllllkkkkjjjjiiiihhhhggggffffee eeeeeeeddddddddddddddccccccccccccccbbbbbbbbbbbbbbaaaaaaaaaaaaaa aaabbbcccdddeeefffggghhhiiijjjkkkklllmmmnnnooopppqqqrrrssstttuuuvvvww ddddeeeeeeffffffggggggghhhhhhiiiiiiijjjjjjkkkkkklllllllmmmmmmnnnnnnoooo ooooooooooooppppppppppppppppppppppppqqqqqqqqqqqqqqqqqqqqqqqrrrrrrrrrrrr uuuuttttttttssssssssrrrrrrrrqqqqqqqppppppppoooooooonnnnnnnnmmmmmmmmllll bbbbbbbbbbbbbbbbbbcccccccccccccccccccccccccccccccccccdddddddddddddddddd ttssssrrrqqqqpppoooonnnmmmmlllkkkkjjjiiiihhhggggfffeeeedddccccbbbaaaa aaaaaaaaaaaaaaaaaaaaaaaabbbbbbbbbbbbbbbbbbbbbbbcccccccccccc vvvuuuuutttttsssssrrrrrqqqqqpppppooooonnnnnmmmmmlllllkkkkkjjjjjiiiiihhh iiiiihhhhhhhhhggggggggfffffffffeeeeeeeeedddddddddccccccccbbbbbbbbbaaaaa sssssssrrrrrrrrrrrrrrqqqqqqqqqqqqqqppppppppppppppoooooooooooooonnnnnnnn iiiiiiiiiiiiiiiiiihhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhgggggggggggggggggg oooonnnnnnnmmmmmmmlllllllkkkkkkkjjjjjjjiiiiiiihhhhhhhgggggggfffffffeeee nnnmmmmmlllllkkkkkjjjjjiiiiihhhhhgggggfffffeeeeedddddcccccbbbbbaaaaa aaabbbcccdddeeefffggghhhiiijjjkkkklllmmmnnnooopppqqqrrrssstttuuuvvvww wwvvvvuuuuttttssssrrrrqqqqppppoooonnnmmmmllllkkkkjjjjiiiihhhhggggffffee eeeeeeeddddddddddddddccccccccccccccbbbbbbbbbbbbbbaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaabbbbbbbbbbbbbbbbbb llllmmmmmmmmnnnnnnnnooooooooppppppppqqqqqqqrrrrrrrrssssssssttttttttuuuu ooooooooppppppppppppppqqqqqqqqqqqqqqrrrrrrrrrrrrrrssssssssssssssttttttt ssssssssssssssssssssssssssssssssssssttttttttttttttttttttttttttttttttttt eeeeeeeddddddddddddddccccccccccccccbbbbbbbbbbbbbbaaaaaaaaaaaaaa aaabbbcccdddeeefffggghhhiiijjjkkkklllmmmnnnooopppqqqrrrssstttuuuvvvww ffffffffffffffffffggggggggggggggggggggggggggggggggggghhhhhhhhhhhhhhhhhh aaaaabbbbbbbbbccccccccdddddddddeeeeeeeeefffffffffgggggggghhhhhhhhhiiiii iiiiiijjjjjjjjjjkkkkkkkkkkllllllllllmmmmmmmmmmnnnnnnnnnnooooooooooppppp ttssssrrrqqqqpppoooonnnmmmmlllkkkkjjjiiiihhhggggfffeeeedddccccbbbaaaa hhhiiiiijjjjkkkkklllllmmmmnnnnnoooooppppqqqqqrrrrrsssstttttuuuuuvvvvwww aaaaaaaaaaaaaabbbbbbbbbbbbbbccccccccccccccddddddddddddddeeeeeee wwvvvuuutttsssrrrqqqpppooonnnmmmlllkkkkjjjiiihhhgggfffeeedddcccbbbaaa eeffffgggghhhhiiiijjjjkkkkllllmmmmnnnooooppppqqqqrrrrssssttttuuuuvvvvww aaaaaaaabbbbbbbbccccccccddddddddeeeeeeeffffffffgggggggghhhhhhhhiiii fffffggggggggghhhhhhhhiiiiiiiiijjjjjjjjjkkkkkkkkkllllllllmmmmmmmmmnnnnn aaaaaaaaaaaabbbbbbbbbbbbbbbbbbbbbbbbcccccccccccccccccccccccdddddddddddd lllkkkkkkjjjjjjiiiiiihhhhhhggggggfffffeeeeeeddddddccccccbbbbbbaaaaaa llllllmmmmmmmmmmmmnnnnnnnnnnnnoooooooooooppppppppppppqqqqqqqqqqqqrrrrrr aaaaaaaabbbbbbbbccccccccddddddddeeeeeeeffffffffgggggggghhhhhhhhiiii hhhhhhhhhggggggggggggggggggfffffffffffffffffeeeeeeeeeeeeeeeeeeddddddddd aaaaaaaaabbbbbbbbbbbbbbbbbbcccccccccccccccccddddddddddddddddddeeeeeeeee rrqqqqppppoooonnnnmmmmllllkkkkjjjjiiihhhhggggffffeeeeddddccccbbbbaaaa ddeeeeffffggghhhhiiiijjjkkkkllllmmmmnnnooooppppqqqrrrrsssstttuuuuvvvvww aaaaaaaaaaaaaabbbbbbbbbbbbbbccccccccccccccddddddddddddddeeeeeee wwvvvuuutttsssrrrqqqpppooonnnmmmlllkkkkjjjiiihhhgggfffeeedddcccbbbaaa eeefffffgggghhhhhiiiiijjjjkkkkklllllmmmmnnnnnoooooppppqqqqqrrrrrssssttt aaaaaaaabbbbbbbbccccccccddddddddeeeeeeeffffffffgggggggghhhhhhhhiiii tttssssrrrrqqqqqppppooooonnnnmmmmlllllkkkkjjjjiiiiihhhhgggggffffeeeeddd aaaaaaaaabbbbbbbbbbbbbbbbbbcccccccccccccccccddddddddddddddddddeeeeeeeee ssrrrrqqqqpppoooonnnnmmmllllkkkkjjjiiiihhhhggggfffeeeeddddcccbbbbaaaa ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt eeeffffgggghhhhhiiiijjjjjkkkkllllmmmmmnnnnoooopppppqqqqrrrrrssssttttuuu aaaabbbbccccddddeeeeffffgggghhhhiiijjjjkkkkllllmmmmnnnnooooppppqqqqrr ddddeeeeeeefffffffggggggghhhhhhhiiiiiiijjjjjjjkkkkkkklllllllmmmmmmmnnnn ooonnnnmmmmmlllllkkkkjjjjjiiiiihhhhgggggfffffeeeedddddcccccbbbbaaaaa ooooopppppppppqqqqqqqqrrrrrrrrrssssssssstttttttttuuuuuuuuvvvvvvvvvwwwww mmmmmlllllllllkkkkkkkkjjjjjjjjjiiiiiiiiihhhhhhhhhggggggggfffffffffeeeee From: pascale gustin Subject: Date: Thu, 07 Nov 2002 17:01:46 +0100 c{EST CA QUI FAIT C}est ce qui f[urther]AIt /que je MAR/que EntrNTr-EN>t(end) Subject: ECN target: Only use(+ lo_y +) Date: Fri, 8 Nov 2002 22:11:25 +0100 (CET) t-[arg:nt] >--[mcomp.g][e]------------[mcn-rE>! --y-U -----()VO-y--------[m-----------][m ONC>CN t.am.nt ces au--ec[e] --en[et] >n.ly.nt qeue: lt --mov >./no-Rem-po------------[m----ecn c]emov Rel-m: Nt--e-mo-R][ tarflex------------------mn\./e IPader.eXe NO(l)Re-mth------[mouve----------------m-][etrsk ECNon, n thu-[M][spa in]t -v4 h > pre--------mO qu'ile qu+ VO(le pr moy) qu'ilb.sl.mst "-t][pour! L preens e que al-----[m-io-e][T-rtrl est-ts d-in& enN bi]-->CN (ta)-N-ecn-D-fiR.fllet ce -----mOCN ta'il eN bin.tert: esqu'il n\./ --en com-R]['i]l eve >targ][\./nv4 h q --enECN t---L-n, d-i-mem ONCE _______________________________________ __ - - lo_y - - __ _ _______________________________________ PTRz: http://rhizome.org/object.rhiz?5852 http://trace.ntu.ac.uk/incubation/gallery.cfm http://www.muse-apprentice-guild.com http://www.krikri.be/poeuk.html http://www.google.com/search?q=lo_y http://lo-y.diaryland.com/ ________________________________________ Date: Wed, 6 Nov 2002 11:54:22 -0800 From: solipsis Subject: Re: Called Virginia by the Pirates: they were Ruth-less Geworfenheit: c[ha]osm/c[ha]omm http://www.hevanet.com/solipsis/chickenscratch/lquarles/cosmcomm.html From: pascale gustin Subject: "2 of 2 deletions" Date: Mon, 04 Nov 2002 06:51:42 +0100 io "Base I/O address" "0x[0-9a-fA-F]+" ;;V.ri(fy)t able\.ment ;;& ;;d./UR][spr][A][che] \.blement ;;cE qu_il E st(ab) Date: Fri, 8 Nov 2002 12:21:47 -0600 From: Harrison Jeff Subject: - - - Original Message - - - (3 Stanza Monte) >>>terrace >> >> >>forty-five >>>death >>>one side >>lamp" >>>tone >>From: >>>and mine? >>To >>beauty of a >>Sent >>says I >>thighs >>Subj >>last. Resort >>> >> >>narcissis >>> >> >>>Virginia >>The police >>>gone all >>>the airport >>>the alliance a case >>> >>>wooden >>dig >>> >>MARGI >>as it were >>>two >>hammer >>> >>>tentative >>prepare >>> >>>actual Eve >>I >>> >>dial tone >>>sheet >>softball >>cursory >>> >>an offer Jeff >>> >>electronic >>>para >>cold enough >>offer >>>ran back >>caseload >>afternoon >>>mostly flat agreeable >> - - - - >>>press >>>complaint >> From >>>infanta >>>scheduled >> To >>> >>>were sleep >> Sent >>> >>>detoured >> Subject >>digital >>more coffee >> >>light >>mugs. The >> >>>wade >>>My ears >>>thin metal an explanation >>> >>fifteen futile >>> >>straight w >>>manila envelope >>>glass >>>on me >>>pard >>>button >>>the sleeves >>>Mantic >>>she slept >>>patients >>>moonless >>>was down warm-ups _________________________________________________________________ Add photos to your messages with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail Date: Sun, 3 Nov 2002 10:47:32 +0100 From: Johan Meskens CS2 jmcs2 Subject: | || " || 3-11-2002-10:43 |_| 561363 5" || | |-ckhromaschine-| |-I-a-C-m-H-a-A---i-k-h-O-| " | | || " || 3-11-2002-10:43 |_| 561363 5" || | |||||||white|||||| |||blue|blue||||orange 'purple ~" || - | | || || || || || || | 17 | 14 | 21 | 86 | 0 | -- " . " 'A./ GLIDING SQUARE, a writing system " " CHROMATISCH UND RAUM " " " "1/6 repaeated " " " " " " " ..1 i e a a i m a d H I N ' i e = 1 h n w h y a t e - a i w i a r v t i i o u b i u h e r a o i i t e i l t h s t o s u e i n c i a h a i a i e a r n y c t o i a i i a n i e t i h i n a a b r v i t n v i i e i a i e e i m i o e e i w a e o t n h i e a n h i h i t n s t n t m w u o c i t w u u o i o c h w n e n s w n n a s o t r w i n i w r h r n r o l i s u w i c m e h e l r m e u n R i l w e i r o l w o c w t n u a e i n r u o h s u r i n a w t i l w t t e o t o t t o n a l t l e h w i n l o a i i f o a f u w r t h a r S h l d v s t i r o e i n k w h n i b w e i i h h m n t o o e i started a drawingi r a i i made a drawingi d a w THIS IS ONEI I N 'This is one' == 1' i n = 1 the difference between the symboled and its sentencedt d w h l n i c i t a r i a a i H I N ' i o = 1 t e t h m a t e w t i i e h m a h o o l --------------------------- ------ i e w e i r o o w o f w r a u i e i n m u o h s u h i n i w t i c w r t e o h l t h o we circle around itw c u i we circle the worldw l h w mooningm 'rest of world'' o l i lose focus when i close my eyesi s c h i c m e she goes blind every times g l r i thea.De deus.s te.theus.intrau INTRAR in alexandria we meti a w e in rest of world we lose focusi e o w w s o we turn and turn insanew r a u s there is no more bullet for the last gunr i n m l f h s g there is no airh i n i we turn in circlesw u i e we turn the rest of the world into the moonw u h r o h l n h o mooningm a satellite to alexandriaa t t d there`r there we will land safelye w l l l on last airo l i in form of a first bullete o o a s u we tr-w t tt the last treet l t s.SUs the last dTREE dividingt a T i spos.spokes splitting in branchest i h pososo possesso i don't knowi ' n we shot alexandria in orbitw o x i b we turned itw e i i heri e she meh m and then ona e o on travellingo a yesterdays ii wasa ini afrikar runningn overo tot americar standingd ono australiana borderso iti musts haveh beene europeo alll togethert livingi ini italyl sleepinge ini berlinb withi here somehows theh moono messede upu here mindm andn sincei ii becamee here asa ii wasw ii turnede andn turnedu insanen anybodyn canc telle youy ii ama insanei ii havev nonen ii tellt thet busdriverr heh isi anda arer aa badb programmersp evenv ifi hetheyh don't' livel ini alexandriae yesterdaye ii wasa ini alexandriaa meetingt ini americam standingi ono aliena bordersd ii wasw illegala dreamingi ofo italyt havinga nightmaresg ini berlinb andn sinces sheh isi hereh ii turnu anda sheh turnst insanen withw mem wew turnr ouru socialo skillss tot wew turnr ouro sociali skillsi ono eache othere wew don'td needn non rests wew don'td neede aa rests ofo theh worldl wew circlel aroundo iti wew circler theh worldr mooningo 'reste ofo world'r ii loseo focusu whenw ii closes mym eyese sheh goese blindl everyr timet thea.De deus.d te.theus.intrar INTRAT ini alexandriax wew metm ini rests ofo worldw wew loses focusu wew turnu anda turnr insanea thereh isi non morer bulletu foro thet lastl gunu theret isi non aira wew turnt ini circlesc wew turnu theh rests ofo theh worldr inton thet moono mooningm aa satellitet tot alexandriai there`e theree wew willw landa safelye ono lasts airi ini formf ofo aa firstf bullett wew tr-t tt theh lasts treer s.SU. theh lasta dTREEE dividingv spos.spokes splittingl ini branchesa pososo possesso ii don'td known wew shots alexandriax ini orbitr wew turnede iti ii here sheh mem andn thent ono ono travellingl yesterdRdayiIiwaAasiIinafRfrika runnNningoveEertTtoameEerica standiNingoOonaustraliaUanbRborders iIitmuMusthaVavebeeEeneUeuropealAlltogethGher lIlivingiIinitalIlysleepinIngiIinbeBerlinwiIithhEher sOsomehowtTthemMmoonmSmesseduUuphHhermiMind anNndsincNceiIibecamBmehHheraAasiIiwaWas iIiturnNned aNandtUturnedinsanSne aNanybodycCcantTtellyYyouiIiaAaminNnsane iIihaHavenNnone iIitelEllthThebusdrRriverhHheiIisaNandarRreaAabBbadproMogrammers eEeveniIifhetTtheydoNon'tliLiveiIinalexNxandria yesTsterdayiIiwaAasiIinalElexandria meMeetingiIinameriRica standinAngoOonalAlienborBrders iIiwWwasiIillegal dreMeamingoOofiIitalyhavinIngnighNhtmaresiIinbRberlin ------------ ii stasrted aa drawring ii mdade aa darawing TIHIS IIS ONNE ''This iis onee' === 11 thte diefference betbween thhe symbyoled annd iits seentenced " she spoaketh in branches she said me : she said me : she said me : to distribute evenly she said me : and oneself she said me : so whisperedly : cooks do multiple things at one time she said me : she said me : Me I'm a plant. she said me : i prefer you take care of everything, i will help you take care of everything she said me : she said me : i am one of those plants she said me : gute nacht . Date: Sat, 2 Nov 2002 23:29:41 -0500 (EST) From: Alan Sondheim Subject: review first off of Kenji Siratori Blood Electric REVIEW kenji siratori BLOOD ELECTRIC KENJI SIRATORI, BLOOD ELECTRIC, published 2002 by creation books - www.creationbooks.com - BUY THIS BOOK - Your book came; it's absolutely brilliant! I really am amazed by it - the long looping sentences, the slow stuttering development, never sure what side the language is on, how it's generated, whether human or machine is speaking. I don't see it as Burroughs, although I understand the reference. For me, Burroughs is oddly modernist; there are conspiracies and organizations and everything seems to fly apart but never really does; it goes back to literature. In your work, the flying apart is almost hysteric; it's global networking - it's the end of literature in a way and the beginning of nexus in another - Your book came; it's almost impossible to read straight-through! It rides on the hinge between bot and machine, software and wetware programming! In a sense it's Stelarc in print, but with the latter, the machinic and the body are in negotiated homeostasis; ontology isn't challenged. In your work, I'm not sure who or what is behind it. I don't know the vocabulary which constantly collapses; there's nothing transitive here, no connectors, or - in place - everything in this, in language itself as this might point is - is transitive, a deferral among the more violent physics of the world. Speaking/writing/reading take relatively little energy in general compared to a hammer, cyclotron, motorcycle, stove, scissors. The physical world transforms, is inert, among enunciations that effect and affect actions. Over book-length the capital WORDS change - early ADAM late ToKAGE - they anchor the page - Your book came; it slides off page 224, the last! I know there's no ending to anything here, to the vicissitudes of language. It has nothing whatsoever to do with Stelarc, who divides his work among language and silence, body-movement-introjection, and language-projection on the page. This among the cyberpunk, cypherpunk, scissorpunk, melds like Burroughs; unlike Burroughs it's all present-tense description that's a cross- dressing performative - Or the performative is that of kenji siratori - kenji satori - reading back into the author - it's not like the Eliza program - indeterminate in that respect - the who or the what of the making - where are the commas - semicolons - The :: // >/ language collapse. The << >> or :<< >> language collapse. Levels without closure - tags and metatags - incomplete guides. Thus "rapture::the streaming=energy strategy of the human-genome//". Back- cover blurb, Jack Hunter in part: "black reverb of soft machine seppuku, a molten unspooling of sheet metal entrails" and Stephen Barber in part "blood- and semen-encrusted debris with the finesse of a beserk Issey Miyake" - everyone _into it._ Your book coma/came: not cyberpunk!:://but slime-mold particulate entities - inhalations, exhalation, exaltations - subterranean sweep of submerged// massive surge::look - it's a flat text - planar or shifting planes - skew- orthogonal planes to be exact - It's a flat text - the depth of a meter to be exact - that is, a meter above and below the text - one hundred centimeters by my calculation - internal and external organs / prostheses broken down, imploded - the characters phenomenologically spread among the text - everything internal and external is excrescence - and always in closeup - the length of a needle - the span of a wire - taut relationships among avatars - retro-ADAM - body-OMOTYA - Your book came - incredible; I can't read the imminence of the plot! I don't know what's happening! I know something's happening - colors and collusions across a global laminanimal space - "labyrinth::cold-blooded diseases of love-reptiles with murder function of ADAM Doll function/uterus-machine that exploded" - continuous return to the useless performative of the PAGE - alphabetically-sectioned (Dead Bargain / digital-animal-structure / Edge) through Pork then back to abolition connecting with first-section abolition but last p. 224 running off the page (see above) - Joycian, circular - the run-off finishing on first abolition's page 9 - Sliding off, abolition repeats for the most part - then it's after that, the inbetween - A-Z through Pork - become-unique, turbulent - retro- fitted, future-anterior - The book I can't read! I can't read any book; the book implodes precisely 50 centimeters beneath the surface of my skin - from the other side - mirror looking in - convex or concave - the problematic of its opticality - "Our machine beast is twisted to the logic space of an amoeba::the digital nightmare invades the quantum spiral of a cyber sun::it is the record of death//" - Your book came! - I don't know you, what you are, who you are, what group prostheses - of which continent - of which program or litany of bots or human anguish endeavored into present-tense psycho-disturbance - the opposition of Jabes - lips come back to suture - the book to end books - of continuous ascription to machine/event/situation/narratology/author/ flesh - your book came - this is the process/procedure of REVIEW - KENJI SIRATORI, BLOOD ELECTRIC, published 2002 by creation books - www.creationbooks.com - BUY THIS BOOK === From: a u t u m n - f r e q u e n c y Subject: ECN.tar.gette: setteO1usette_bit10 ( nAIMeSTATe ) Date: Fri, 08 Nov 2002 21:34:23 -0700 Sender =3D K-nO-blesoletESTc:SAT//wyst-ast:tEST;CRAyst<---wryKIN10//com? a.x.crost.a.rnd.VAR04nam03STAT03_elleGENTsimPERsubSTITchyrn.waxt 4.RC.B//lckt//UN-built K-LINES:knO-bsolet? SIG-02-NOIS.AIF quoteSPC:"knO-bsolette" =2E............................rati/o.log eRR.wryt.sig.NULLfast--->d.prt nkeyGENs.m.(a)_drift'tt'tt'ee'e///x///VAR=3D"n":THEN-vTHENA-Nr//oRRe reapette-reapette-reapette-reapette-reapette-reapette-reapette-reapette-r= eapette-reapette-reapette-reapette-reapette-reapette-reapette-reapette-re= apette-reapette-reapette-reapette-reapette-reapette-reapette-reapette-rea= pette-reapette-reapette-reapette-reapette-reapette-reapette-reapette-reap= ette-reapette-reapette-vCTRLv fndCMD-oNNe-K-L-wytingtingSungSung-K Recipient(s) =3D Sung-K Recipient(s) =3D Sung-K Recipient(s) =3D Sung-K Recipient(s) =3D Sung-K Recipient(s) =3D Sung-K |||||||||||||||||||||-table.wav wya-lait-DAT-sym04LL-lst-(a)whistles.iNNE(AIM)STATs-onLoad-ova.eRR. onLoad.()PRE.d.ct.x.i.o.n.witSlashes witTEMPStESTette'eRRe Subject =3D cr4ckt+p33LL#TT#_melletee...........mEASuRR04mEASuRR??? RE:TREE{struct}VER01-050n0n0nSiCCaLLTRUCTDIReRR.iv.iteeve...onLoad CTRL-........................../////// CRLF--wit----..................////// CTRL------par..................///// CRLF-sec--lys........iCCaLLREF.//// CTRL-................(g)......./// CRLF--t-.............rainst.dct// CTRL---t.............reapette../ CRLF-+++........(n)____________\ CTRL++++ULL____________________\\ CRLF++++(a)GRAM.a.fiLLnuLL%20onLoad:RE: >--[m.co.m.cimp.m.TIM.EDAt.EST.(A).mp.g][eRR]------------[dist.ract.IF:FI= LE.THEN.onLoad()Par m.pair.IST. m.pairre.I/X/? m.pairreRR.uNN--->TT--->plust.aLL.glowbaLLRLTNsERVE02.n.fct.aLL.heweartte= =2Epul fintfer.rnd.gen.sync.lckt.SERIES=3D"n.def.n.ate".SE:onLoad() ()-STATe_PASS_plust_RE:mem(e)RR-nSTATiCCaLL_fields_tunnelletteThrough_gbs= nnChannelles+sung02kn0/3-w-m-flipt04scripts~twyst~ovaERRe~skein.ova.skein= =2Eova.skein.poly(_)pluRRaLL+plst+SIG.syst.ent.ova.cabs+LIBs+SAT.systs.x.= traneous.RE:mndeRRes:ALSO:GIVEN:RE:spect//musstchell.(sp)lit.ova.aLL(grai= ns)2nyst02nest03iNNe04rklist.eRRe.STATiCCaLL.n(AIM)shape:RE:ndt:eRR Scanning Time =3D nAIM:04:05:dateTime: -----()VO-y-eRR-x-eRR-01-eRR-03--[010101-0111-0111-0111 nAIM:DUR_esstt.un.[d]-eRR=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D mist-elle-glarre-IF-iCCaLL--->K-LINES x.crost.cab.lette--->builtK-NOMiCCaLL cobblette'DIR<------(a)-NOMiCCaLL_d_steihl C-CITE.aboveScript--/ downSTATe.ova-----// plust+++()aLL---/// ???nAIMs?fnd.snd.ette table.wav (a)grainstLevelspe/ill/ette ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (a)grainst.DAT.keyGEN; DATspheerreGLiCCaLLrnDATsigSIGN.syst.DAT.parcettesimpELLE.04.lange(f)ROM=3D= hues=3D"TRUE" C-CITE RE:LITE RYL.n(AIM)eSTATes+DATeRR.blcks: Engine/Pattern =3D autumn-frequency From: Alan Sondheim Subject: performative happening somewhere else Date: Wed, 6 Nov 2002 22:21:02 -0500 (EST) performative happening somewhere else all my colors are garish - i'm ill again - slight fever - headache - chills - forgive me - my dashes - i speed past celine - a realization - there is no performative - the performative doesn't exist - material refractions - that's all - wedding vows - everything - require concrete embodiment - that's how it is - it's all physical states - the state-space of the machine - things changing - state-space to state-space - surface residue on the screen - ascii or otherwise - all sorts of things - words continuing on another level - we've got to be careful here - among the internal matrix of meaning of language and orienting of cognitive domains - and transformations of material strata - i've always written about the political economy of language - the necessity of the scream or demand or cry of the wounded or orgasm or laughter - not necessarily in that order - it's an economy that exfoliates and effuses within its own sememe - its own space and own ontology - epistemologically it wanders like everything else - but that space concretely presents the potential abundance of material operations - it's not that i'm a materialist - in spite of my sore throat and shivering - but that the material world carries on the discredit of language - it's all a mix we pass for intelligence as if writing and theory were an 'however' summarizing the abstract configura- tion of the day - thought is internal/external - panoplies of tendrils among laminanimal - can you imagine - it doesn't reside one way or another - instigated by mental operations hardly to the discredit of the material world - the performative is in the speaking or writing - my fingers on the keys - my vocal cords and enunciations - literally a far cry - i can hardly focus now - but the theory of performativity has to be radically revised - i can assure you - the point it's missing is elsewhere - not even peripheral - not even a 'somewhere else' - i'm hard put to hypothe- size the bridges - mappings of all sorts - internal neural mappings to external manipulations - all machinery - all electronics - is the lever - my eyes are hurting - this goes on and on - the doctors can't do a thing - they keep asking questions - sending me from one to another - keep filling out forms - === From: Karl Petersen Subject: Re: "digital poetry" vs net art Date: Fri, 8 Nov 2002 20:34:43 -0600 (CST) http://www.chromaticspaceandworld.com/cgi-bin/2002/11/1-11-2002-2230.CGI At 17:52 on Nov 8, llacook reasoned: > > Would be ineterested quite alarmingly in responses to this question: > > Are "digital poetry" and net art two distinct genres? And, perhaps more importantly, should they be? > sigma xtexte/Catalog-3-8-1998.txt:"MAGAZINE OF SIGMA CHI"|"Q"|"115"|"1996/97"|"4"|$10.00|115.00 xtexte/Catalog-3-8-1998.txt:"RECORD OF SIGMA ALPHA EPSILON"|"Q"|"115"|"1995"|"CPT."|$0.00|115.00 xtexte/Catalog-3-8-1998.txt:"RECORD OF SIGMA ALPHA EPSILON"|"Q"|"116"|"1996"|"1-3"|$0.00|116.00 Date: Sat, 2 Nov 2002 13:15:50 +0100 From: Johan Meskens CS2 jmcs2 Subject: | || " || 2-11-2002-13:14 |_| 334366 4" || |-ckhromaschine-| |-r-S-E-O-h-i-s-a-S-c---R-| " | | || " || 2-11-2002-13:14 |_| 334366 4" || green|||green|||red|||||red||||| ||| | 'black ~" || - | | || || || || || || | 20 | 16 | 33 | 7 | -- " . " 'A./ GLIDING SQUARE, a writing system " " CHROMATISCH UND RAUM " " " "5/6 repeated " " " " " " " ..1 she says the space i live is her 5C5C5C X[1] FFFFFF . . ,p , a - one movement of spaces ' ' C1C1C1 323232 B9B9B9 K[1] 636363 * from black to black she saying i live hers 181818 BBBBBB N[1] . D7D7D7 ABABAB V[1] DDDDDD 5E5E5E a coarse voice 686868 F1F1F1 she said : invisible she X[1] 1B1B1B D[1] f[1] she did not say she misses me i my wife 747474 . one disappearing under a book 7C7C7C D1D1D1 8E8E8E 505050 says she is invisibly she B3B3B3 525252 040404 . . ,p . . not enic. ending. / not ending I[1] Y[1] M[1] 191919 she said she misses the place where i live * an infinity of hunderd times * being x 070707 EEEEEE she said : scientific CCCCCC C[1] saying she is O[1] A[1] 222222 7F7F7F 777777 b[1] P[1] 111111 2C2C2C 3E3E3E she said : says she ./ wires coming out of ithem _ connected 868686 A6A6A6 969696 000000 2A2A2A she says the space i live is her AEAEAE G[1] C9C9C9 E[1] B0B0B0 6D6D6D 262626 818181 she is intending L[1] indenting F3F3F3 131313 555555 4E4E4E E0E0E0 C6C6C6 6A6A6A 424242 3B3B3B . . i lost track of this structure i[1] , a - one movement of spaces ' ' h[1] R[1] 474747 A8A8A8 6F6F6F 797979 A0A0A0 303030 g[1] 4B4B4B 8B8B8B , it is squashed EBEBEB E5E5E5 F6F6F6 919191 D4D4D4 444444 she 898989 B[1] U[1] from my speaking she says 242424 989898 a[1] F9F9F9 S[1] 151515 so here we are * from white to white she said she the place i live * W/B 373737 9E9E9E A3A3A3 5C5C5C Q[1] F[1] . that 'e' is being dropped, it comes in between BEBEBE j[1] 727272 c[1] 1E1E1E 595959 . . continuing or so continue + ing she said she misses where i live B6B6B6 , so it might not function 404040 H[1] she is always she is says invisible a coarse voice 1F1F1F 353535 - is hers she is FCFCFC 939393 DADADA C1C1C1 0E0E0E she says berlin 393939 J[1] 575757 she says my voice is different from my speaking * a hunderd times.101 616161 9B9B9B FFFFFF 848484 * a hunderd times more E8E8E8 282828 she CFCFCF she misses said 2E2E2E she says i am invisible W[1] Z[1] . one disappearing under a sheet of paper T[1] 666666 0B0B0B - E2E2E2 e[1] C4C4C4 she saiys, indenting 494949 d[1] she is travelling . nettime unstable digest vol 20 Sun Nov 10 15:44:00 2002 Subject: Undeliverable mail: Error accessing your w From: "Martin (biz.finder.net.au)" Subject: "1 of 1 deletions" From: pascale gustin Subject: [Up.]Dated Sun.day, November 8th, 2002 From: "dis.[UR]Locate" Subject: From: integer@www.god-emil.dk Subject: keywords From: "Jim Andrews" Subject: Morpho-Acrostic 1 From: MWP Subject: From: pascale gustin Subject: ECN target: Only use(+ lo_y +) From: ++ Subject: Re: Called Virginia by the Pirates: they were Ruth-less From: solipsis Subject: "2 of 2 deletions" From: pascale gustin Subject: - - - Original Message - - - (3 Stanza Monte) From: Harrison Jeff Subject: | || " || 3-11-2002-10:43 |_| 561363 5" || | From: Johan Meskens CS2 jmcs2 Subject: review first off of Kenji Siratori Blood Electric From: Alan Sondheim Subject: ECN.tar.gette: setteO1usette_bit10 ( nAIMeSTATe ) From: a u t u m n - f r e q u e n c y Subject: performative happening somewhere else From: Alan Sondheim Subject: Re: "digital poetry" vs net art From: Karl Petersen Subject: | || " || 2-11-2002-13:14 |_| 334366 4" || From: Johan Meskens CS2 jmcs2 lurking editors beatrice beaubien 7-11 nettime-bold syndicate thingist florian cramer 7-11 _arc.hive_ eu-gene o-o rhizome rohrpost syndicate webartery wryting alan sondheim 7-11 _arc.hive_ poetics siratori trAce webartery wryting $Id: digestunstable.pl,v 1.11 2002/10/09 17:22:50 paragram Exp $